And now a word from our resident conspiracy theorist.
When a tyrannical government finds dissent tiresome, the sources of dissent cease to exist. While I am sure this has been true throughout history, George Orwell took it to another level in “1984” with the Ministry of Truth rewriting history in order to eliminate any memory other than that of the benevolent Big Brother.
Today I am looking at the second remarkable instance of tyrannical Hollywood adjusting its message in the last year. Rosanne Barr.
I was never a fan of Rosanne, she reminded me too much of my first wife. Apparently some people find her funny, so many that the reboot of her sitcom was the highest rated prime time program her network, ABC/Disney, had seen in decades. Sara Gilbert, Yale graduate and producer/writer/director who in addition to playing the role of Rosanne’s daughter Darlene was the driving force behind rebooting the show certainly did not agree with her star’s personal views, but she convinced the rest of the cast and crew to work together. They did. Hundreds of people with points of view all over the map came together and made a ratings (AKA financial) beast.
Today all those people are unemployed. Despite having renewed Rosanne for a second season, ABC/Disney cancelled their most popular program due to tweets sent out by Rosanne Barr about politics. Cue the Ministry of Truth.
The tweets were offensive, almost as offensive as the almost daily crude comments made on ABC/Disney’s “The View;” but the target of Rosanne’s comments were Liberals, rather than Conservatives. The crass, tasteless comments were immediately labeled “racist,” to the extent the comments themselves were rarely reported; any reference to the subject was worded “Rosanne’s racist tweets” (because offensiveness can be defended, racism cannot). The word “offensive” was used once or twice in the opening hours, but by the next morning ABC news simply reported Rosanne’s show was cancelled due to her “racist tweets”. But of course, it wasn’t Rosanne’s show, it was only named for her.
Within hours, Roseanne’s talent agency dropped her. That night’s scheduled show (a rerun) was pre-empted. Streaming services claimed to have removed her shows from their catalogs (It took ABC a day longer than everyone else). Every attempt was being made to erase Rosanne Barr from memory. No attempt was made (in fact, quite the opposite, her comments cannot be found) to make a public example of her offensiveness, she was being disappeared.
Another victim of terminal censorship was Kevin Spacey. On 29 October 2017 (a Sunday), an actor made a accusation of pedophilia against Spacey, which he claimed took place thirty one years earlier when the actor was fourteen and Spacey was twenty seven. Over the next few days a few other men came forward, and a week later Ridley Scott was interviewing Christopher Plummer to take Kevin’s place in the film “All the Money in the World,” which had already been filmed. Spacey used the opportunity to “come out,” and promptly vanished. His cable television series “House of Cards” was cancelled (after previously being renewed for a seventh season) within twelve hours of the accusation.
Kevin has two films in post production due out this year, “Billion are Boys Club,” in which he has a leading role, and “Gore,” in which he plays the title character Gore Vidal. It should be interesting to see how those films are promoted, if at all. Rumor has it that “Gore” was shelved by Netflix three days after the accusation. A completed, historical project, buried because the lead actor was accused (not convicted or even charged with) pedophilia thirty one years before the film was made.
In the meantime, there are countless examples of people who have committed similar offenses, were tried and convicted, and went on not to be ostracized, but celebrated. Roman Polanski and Woody Allen leap to mind, but really, everyone you can remember that has been accused is an example, because you can remember them; they haven’t been erased. Harvey Weinstein and Bill Cosby are still out there.
The federal government has been in the disappearance business for a while. We like to think these things only happen in other countries, but with the over reaches of the PATRIOT act disappearances have become more common. The disturbing thing about Ms. Barr and Mr. Spacey is their disappearances were orchestrated by a private industry. Hollywood has been unabashed in advancing an agenda over the last few decades, that agenda is often confused (as when “action heroes” who are never seen on screen without a firearm speak out against firearms), but it is unforgiving to those who do not tow the line. “You’ll never work in this town again” is the ubiquitous threat associated with Hollywood, but when Julia Phillips wrote about the details no one wanted to talk about it, lest they not work again themselves.
Pay attention to semantics, the words used to alter perceptions. Rosanne’s tweets were discarded so the description “racist” could be used. President Trump speaks of a spy in his campaign, and the DNI calls his spy an informant, so the narrative calls Trump’s claims of a spy “false” and “dis-proven.” We are being misled, largely because the majority has heartily signaled they will believe anything.
Question authority. Question reality. Question everything.