I acknowledge that I am unusual, “eccentric” is the polite word but I really don’t mind “weird”. One of the benefits of being eccentric is that “normal” people tend to shy away from you. This leaves the path open for other eccentrics, so we tend to congregate, or at least associate. There are of course times when the eccentricities clash, but we’re usually friendly, accepting folk.
Knowing unusual people usually means peering into unusual families, we rarely sprout up without some kind of nurturing. When I was thirteen, one of my best friends was Otto, and while Germans aren’t odd in and of themselves, his family was very odd to me. The food and the language was the start, but the choice to bestow a thousand dollar oscilloscope on a thirteen year old as a birthday present left even me scratching my head.
I’m not sure why Otto wanted an oscilloscope, or if he even asked for it. This was 1972, and I think it had something to do with testing vacuum tubes, our eccentricities clashed and we found ourselves out of sync with each other shortly afterward. It was cool to hook up to his record player, and watch the waves as we played music. My favorite was the song “Popcorn”, which just told a story of its on on the CRT screen.
The experience piqued my interest in electronic music, which was just coming onto the scene. Walter “Wendy” Carlos had released “Switched on Bach” a few years earlier, and my Uncle Steve introduced me to the music of Isao Tomita a few years later. Tomita’s use of synthesizers is astounding, and using his covers of Debussy and Holst I introduced a number of friends to classical music. I read an interview with Tomita in which the interviewer commented that the clock on the wall was five hours slow, and Tomita replied “No, it’s seven hours fast”.
Synthesizers have changed immensely since then. From the banks of analog Moogs to the handheld Casios sold at K-Mart. Tomita still plays the Moogs, there is something about the combination of man and machine that transcends digital electronics.
Electronic music has also changed. From the early covers of classical music through arrangements developed to suit the capabilities of the instruments. As digital took the place of analog, synthesizers began replacing other instruments. even drum kits became electronic. The pendulum swung back and forth, from “No one played guitar” to “No Synths!” being seen as selling points for albums.
Today, what is called music ranges from a rapper talking over an actual artist’s recording, to the resurgence of traditional instruments as in the band “Ghengis Barbie“. Electronica is here to stay, it can be well crafted or garbage, and as has always been, one person’s garbage is another person’s treasure. I treasure my eccentric friends, and the paths they’ve opened to me.
Of all the things music is, it should always be fun.